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We Are Water is a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy, from Wally Lamb, the New York Times bestselling author of The Hour I First Believed and I Know This Much Is True.
After 27 years of marriage and three children, Anna Oh—wife, mother, outsider artist—has fallen in love with Viveca, the wealthy Manhattan art dealer who orchestrated her success. They plan to wed in the Oh family’s hometown of Three Rivers in Connecticut. But the wedding provokes some very mixed reactions and opens a Pandora’s Box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs’ lives.
We Are Water is a layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist, Anna; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest. It is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.
With humor and compassion, Wally Lamb brilliantly captures the essence of human experience and the ways in which we search for love and meaning in our lives.
- Sales Rank: #31861 in Books
- Brand: Lamb, Wally
- Published on: 2014-08-12
- Released on: 2014-08-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .95" w x 5.31" l, .0 pounds
- Binding: Paperback
- 592 pages
Features
- Published October 22, 2013 by Harper
- soft cover
From Booklist
Lamb’s much-anticipated new novel explores the secrets of a Connecticut family on the occasion of mother Annie’s remarriage to another woman. An artist who has found great success recycling junk into angry visual art, Annie is ambivalent about marrying Viveca, the art dealer responsible for her success. Meanwhile, Annie’s ex-husband, Orion, struggles to accept Annie’s remarriage and remake himself after messing up his career as a psychologist. And their kids are not exactly all right either. But, in classic Lamb fashion, this is less a story about the drama of the present or any of the various hot-button issues Lamb invokes (gay marriage, Christian Fundamentalism, Obama’s presidency) than it is a lesson about how the traumas of the past play themselves out in the present, and how moral courage and religious faith are the key to overcoming that which haunts us. Here the old wounds are deep indeed—abandonment, addiction, decades-old racial conflict, and lots of child abuse—and Lamb does not hold back describing them in all their messiness. As he did in his Oprah-endorsed blockbusters She’s Come Undone (1992) and I Know This Much Is True (1998), Lamb avoids irony and tends to spoon-feed his readers rather than let them find their own meanings in the text. But few authors are as compassionate toward their characters or as stirring in their redemption narratives. Librarians should expect heavy demand. HIGH-DEMAND BACKSTORY: The publisher’s publicity campaign will match in intensity the public library response to a new book by a library favorite. --Brendan Driscoll
Review
“It’s a sign of a good novel when the reader slowly savors the final chapters, both eager to discover the ending and dreading saying goodbye to the characters. We Are Water is a book worth diving into.” (USA Today, 4-star review)
“Wally Lamb’s fifth work of fiction…is a mesmerizing novel about a family in crisis that pulls together many characters and diverse themes and sets the bulk of its action against our collective modern angst and ambivalence.” (Miami Herald)
“We are water: ‘fluid, flexible when we have to be. But strong and destructive, too.’ That’s evident in this emotionally involving new novel from the author of She’s Come Undone….Clear and sweetly flowing; highly recommended.” (Library Journal, starred review)
“In his singularly perceptive voice, Lamb immerses his characters and the novel’s readers in powerful moments of hope and redemption and shocking descriptions of violence and abuse… fascinating.” (Minneapolis Star Tribune)
“Wally Lamb’s latest, WE ARE WATER, works the same magic as his 1992 Oprah-anointed breakthrough, She’s Come Undone, capturing a snapshot of modern life (class struggle, racial violence) through the lens of a family faced with jarring news from its matriarchal figure.” (Out.com)
“Through alternating perspectives this addicting novel reveals how secrets can define a person and wreak havoc on her loved ones.” (Real Simple)
“Alternating voices of the wife, husband and their three children pain a vivid portrait of a marriage and reveal the shifting meaning of family.” (Ms. Magazine)
“Lamb excels at delivering unexpected blows to his characters, ratcheting up the suspense to the final page.” (Publishers Weekly)
“We all know that life is tangled and messy. Still, in reminding readers of this fact, Lamb turns in a satisfyingly grown-up story, elegantly written.” (Kirkus)
“So far my favorite scene involves the throwing of multiple glasses of Bordeaux at three Vera Wang wedding dresses. At least you know you won’t be bored (People.com)
“Wally Lamb delivers a powerful and engaging novel filled with complexities and intricacies of human nature and family dysfunction. . . this is a book not to be missed.” (The Advocate)
“…this family saga is hard to put down.” (Entertainment Weekly)
From the Back Cover
With humor and compassion, New York Times bestselling author Wally Lamb brilliantly captures human experience through vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss.
Annie Oh—wife, mother, and artist—has shaken her family to its core. After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success. The two plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But this provokes mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.
Told in the alternating voices of the Ohs—nonconformist Annie; her psychologist ex-husband, Orion; their do-gooder daughter, Ariane, and her rebellious twin, Andrew; and the free-spirited youngest, Marissa—We Are Water is vintage Wally Lamb: a compulsively readable and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways we search for love and meaning in our lives.
Most helpful customer reviews
274 of 287 people found the following review helpful.
Wonderful novel from a great author
By Orion
In 1963, a dam ruptures and floods a small town in Connecticut, killing several people. Forty-five years later, the daughter of the young mother killed in the tragedy is preparing to join her partner in an elaborate gay marriage ceremony. These two events, and all the things that happen in between, are the basis of this wonderful book.
Annie Oh, first a daughter, then an orphan, then a wife and mother, then an artist, and finally a lesbian lover, has lived a life so full it seems like she has lived more than one lifetime. Through it all, the secrets she keeps from her early childhood affect herself and everyone around her. In the end, she can't continue to hide her past and finally has to confront it.
It's not a terribly complicated story, but the way Wally Lamb tells it is perfect. Details emerge from different points of view until everything is revealed. He focuses on the inner dialogs of the people involved, and in the process we get to know all the characters very well. It's an ambitious way to tell a story, and I don't think very many writers could pull it off as well as he does it. He seems to have a special insight.
In the end, it's not just a book about tragedy and secrets. It's also about forgiveness, redemption, and enduring love. These are not perfect people, but they are very good people. I was glad I got to know them.
182 of 189 people found the following review helpful.
Lamb is an amazing writer
By T. K. Paul
I cherished the experience of reading Lamb's "I Know This Much is True." And I enjoyed "She's Come Undone" as well, but not as much.
"We Are Water" reminds of "I Know This Much is True" in that it explores a family's secrets and sucks the reader in to the point where it's exquisitely uncomfortable to process what you're reading. The subject matter is not lightweight in either book, but still comes across as completely believable. The racism, child molestation, homophobia, etc. are difficult issues to read about from the different characters' point of view, but well worth it to bring you to the book's fabulous conclusion.
Some find his books verbose. I do not. There is no author on the planet, female or male, that can write female characters better than Wally Lamb. His character development, overall, is second to none. (Orion, Annie Oh's husband, is a particularly unforgettable character in this book.)
The Wally Lamb books I've read will never leave me.
237 of 263 people found the following review helpful.
Not his best, but many will enjoy it
By RobynJC
Annie Oh, a fiftysomething divorced mother of three grown children, is a master of secrets. But it's the weekend of her second marriage - to a female gallery owner and art dealer -- and her secrets are about to come tumbling out; both those from her childhood, of the wrongs that were done to her, and those from her adulthood, the wrongs that she did to others. This weekend will change the entire course of her family's life. Forever, and not necessarily for better.
I admire the craft behind We Are Water. Wally Lamb has long been a favorite writer of mine and he remains the most astute writer of people and character that I have ever read. In this book he slips effortlessly under the skin of Annie, the lesbian art dealer who is both abused and abuser; her husband Orion, the psychologist who is both professionally astute and personally blind; her older daughter Ariane, the perfectionist with the low self-esteem; her younger daughter Marissa, aspiring actress and practicing alcoholic; and Andrew, my personal most interesting character, the rebellious child turned Army nurse turned born-again fundamentalist. Plus a few other characters with unique relationships to the Ohs, who I won't reveal here, to preserve the surprise. Mr. Lamb practices fictional psychology like a surgeon, with a knife calibrated to the slightest edge; he is precise and brilliant and gets right to the heart of the matter. Also, he has an incredible ability to take on "unsympathetic" characters - molesters and child abusers - and make you glide from understanding them to being horrified by them, all in one smooth narrative flow. He has spent a great deal of time with women in prison, and I think it has done wonders for his empathy (which was evident even in his first novel); he just gets people, and he loves them, in all their brokenness.
So why three stars? Ultimately, I think the book was undone by a few significant flaws. First, the length. I love sagas; the longer a novel, the happier I am. But this just felt bloated and lacking in narrative power. About 200 pages in, I said to my husband that it felt like a huge jet that was still on the runway, straining to take off. Nothing had happened yet, and much of the time that Mr. Lamb spent on backstory never felt relevant. The first 50 pages or so dealt with a character who never returned in any meaningful way; there was a running sub plot of a long-dead African American artist which never coalesced (and had a very tenuous connection to the book in the end). Second, the focus (or lack thereof). About two-thirds through the book, it changed to a different narrative, and introduced a thriller element that was pretty effective - but had little to do with what I'd been reading to date. And finally, the ending - a 60 page coda that took place three years after the fateful weekend - felt rushed and overly descriptive, as if Mr. Lamb felt compelled to summarize all the points he was trying to make and to wrap up all the story he had started, but realized the book was already too long. This just felt like a novel that was being uncovered as the writer went along, and was never "cleaned up" afterwards. When reading it, I often admired it, but never loved it; when I was not reading it, I did not miss it; and when I was reading it, I often was impatient to finish and start on something else.
Ultimately, I remain a fan of Mr. Lamb's. But I would recommend his first two books instead of this one, and while fans of his may enjoy it, I don't think it will stand out over the course of his career.
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